5 Reasons Writers Should Read.

Keep reading as you write.

As a tutor, I always remind my students of the importance of reading. Whether you are writing novels, blogs, scripts for film, tv radio, game or theatre as well as non-fiction even for work, you should be reading what everyone else is doing. So I’ve put together some writing tips, 5 reasons why reasons is important as a writer.

Reason One.

Book stores know what sell.

It’s give you an idea what is out there. The chances are if you by your book from a store, it is more likely to be from a publishing house. Meaning a team of experts have deemed that this book fitted in with current trends of what the reading public want. If you intend to sell you book, then this is a huge help. Not just in knowing what is fashionable, but where you book could fit in and with which publisher.

Reason Two

Reading helps you to develop you own style. Like when as a child you watched a parent or adult cook, you learn how to do the basics. As an adult in your own kitchen you add your own twist to the recipe. That’s exactly what reading as a writer does.

When you start out writing, you just write what comes into your head. No thought is out into what ingredients you need and the quantity, , you simply throw is all in!

The more you read you will pick up on nuances of dialogue, delve deeper into characters, notice the plot turns and twists and where they start to develop. It improves you grammar and language skills. Never a bad thing!

Each writer has their own Writer’s DNA, it comes from who you are and how you got there, making it pretty unique stuff!

That same DNA, effects our interpretation of books. This is what makes up your writing style, so keeping reading!

Reason Three

This one is my favourite, RESEARCH.

The Long Room,Trinity College Library

For any writer, you SHOULD be researching. It doesn’t matter what you are writing there should be an element of looking stuff up.

Let’s start with location. You decide to set your story in a place you have never been. So how do you it’s suitable for your story? How will the characters react to their environment? How will it help your story progress? Science dictions writers haven’t been to the moon, but they can read about temperatures and conditions, they can read science and technology journals to understand what we can currently achieve and what we hope to achieve, with a writers imagination you can take this further!

I love to read up on psychology, I find it a great way of developing intriguing characters with realistic flaws, such as the habits of a stalker.

Don’t let NOT researching limit what you write!

Reason Four

Expand your horizons.

Reading is one of the best tools for doing this. Whether you want to learn a new skill such as writing for film or learn about Restoration Theatre (my current expansion project), there is always an expert on the subject who has already written the book. Not sure where to start? Your local library can help or try a social media group will probably have lots of recommendations or you.

And finally,

Reason Five.

Question Time.

Reading a novel as a writer should make you want to ask questions.

Did you enjoy the story and why?

Where all the characters believable? Did you empathise with them and their situation?

Where all the loose ends tied up when the story ended?

How did the story make you feel? Were you eager to turn the next page?

Would you recommend this book to someone else and why?

I’m sure you can think of lots more questions, your readers will.

So start thinking like a reader when you write and keep asking questions of your own work.

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Fly me to the moon or Mordor.

Not Mordor, St Michael’s Mount Marazion. Cornwall.

Location. It’s not just a place, it’s a character.

As a child did you have that special place where you hid out in a thunder storm? Or a place you returned to at every opportunity for adventure?

I did. Back in my hometown there is a man-made lake, with a wooden bridge that takes you over from one to the other.

Southport Marine Lake and the Victorian Venetian bridge.

It wasn’t the bridge but what I called the islands. Back in the late 70’s/ early 80’s these where overgrown with bushes and shrubs, that had natural hollow dens inside them. Perfect for the young girl seeking an adventure with her trusty bearded collie.

I convinced myself there were mine, collecting the rare piece of litter that had the audacity to spoil the landscape, hiding from adults and families in the summer, like some lost runaway, with a book under my arm.

I don’t have my own private island (maybe one day!) but the importance of that location is till with me.

We were partners in crime. It held my secrets. It was a huge part of my life every opportunity I had.

When writing location in your stories you need to add the relevance to the main characters., what is it and why are we here.

Make your place feel real, dynamic thinks of the great fiction canon’s, from Wuthering Heights and the moody moors reflecting that of Heathcliffe. The moors set the tone throughout.

The landscape of Modor and the Shire are at odds with each other as they should be because each one involves a different part of the hero’s journey.

Your characters need to react to their location, inhale their surroundings, watch how it challenges them and sense when it’s safe and able to protect them. Location is personal.

Like with every part of your story, flip it! Make it unique!

Not only will your setting change over distance but the same one will change over time.

Has the place you grew up in remained the same? I know mine hasn’t, parts that were important to me have disappeared become shops and fast-food restaurants.

Southport sea bathing lake then.
Southport now.

Research an area, notice the changes and think how has this affected your character? What stories do they have to tell. Has it changed their opinions, their outlook?

Most importantly see the landscape through their eyes.

It doesn’t matter if your place is real or totally made-up. The attention to detail needs to be there. Take a page from Tolkien, and draw out a map for your setting. Add important features or prominent places.

For the August challenge Day Two, think of a place that holds a special meaning to you. Write it down in great detail. Now do the same with your story location, through the eyes of your character.

Whether it’s the moon or Mordor make it memorable.

For more tips on writing go to The Coffeehouse Writer.

The Writer’s Garden.

Have you ever wondered why you seem to be so busy yet you have nothing to show for all your hyperactivity?

Even a child will stop to smell the flowers.

As a writer, it’s easy to get way-laid with inspiration, this is what I believe is the REAL writers block. Not a lack of ideas but too many you loose focus. Each one bringing its own excitement and reason for going down that path.

By taking a minute to evaluate and ‘smell the roses’ see what you have accomplished so far, then stand back and look at the whole garden. You didn’t plant everything in a day, you focused on one area then moved on the next.

The same needs to happen with your writing projects.

Focus on one at a time. Set your goals to complete the project, then treat yourself.

You deserve it!

Then start on the next area, you can still go back and tend (edit and revise) your garden later.

Like all successful gardens it’s about the preparation work, and making sure you take the time to enjoy you achievements once finished.

This way you have a year round garden to enjoy, with completed projects blooming!

Finally, don’t forget gardeners look after themselves too, so take a leaf (sorry!) from their book, enjoy the process of writing, then sit back and relax.

Ps. If you want to remain focused trying sniffing fresh rosemary or rosemary oil, it works wonders!

For more information about 1-1 mentoring and goal setting email : feedback@thecoffeehousewriter.com

Fridge Characters.

Who is lurking in your salad drawer?

(Alamy stock photo)

Finding inspiration to write can come from anywhere. Today I set my writing group the challenge to find it lurking in their fridge along with the half tin of baked beans and the over-soft grapefruit (that might just be my fridge). But something as simple as this can reveal a lot about a character. Do they live alone? Do they have simple tastes or adventurous and like to try something new (that reduced block of Italian sheep’s cheese you wouldn’t have bought at full price)? Are they organised, the shelves neat and tidy with the raw meat on the lower shelf and the dairy at the top or is it all just thrown in! What about junk food or ready meals? What would this tell you, is your character, lazy, always rushing or can they simply not cook?

What about the outside? Can you see the door or is it covered in kids artwork or magnet reminders of past events and to-do lists?

At first glance it’s just another kitchen appliance.

Yet with your writers cap on it’s a world of character building and engagement.

Have a go and let me know who you find lurking in your salad drawer!

M x

Why join a writing group?

Belonging to a writing group is about taking strength from that group and giving it back.

The idea of sitting home alone, with just a cat for company is the image most people have of life as a writer.

Indeed this is my life! Juggling family life, teaching and time to write can be hard, but why do we feel the need to add to that by doing it on our own?

When I first started attending writing groups, it was hard to share my work, soon the feedback I was receiving from others encouraged me to dip a toe into sharing my private thoughts.

I got a mixture of love and suggestions to improve, some I took on board, others I felt were not right. After considering why a suggestion was made I understood better my weaknesses.

Motivated and encouraged I became a more confident writer and also I started to give feedback, improving my own writing as I understoof the processes better.

As a new writer, feedback from others is probably the best tool in our writers toolkit.

Belonging to a writing group is about taking strength from that group and giving it back.

Motivation, discussions on early drafts, putting heads together to solve character and plot difficulties, a shoulder to support the many rejections received and someone to celebrate the wins with.

Whatever you write, support of a good writing circle is priceless.

The Coffeehouse Writing Group starts on Wednesday 19th June 2019, 7pm at The Potting Shed, Beverley East Yorkshire. £5 on the door or £25 for a years membership. Includes an hours lesson, writing and an hour socialising with occasional Guest speakers.

For further details email: feedback@thecoffeehousewriter.com