Logan (2017) Implied Readership- Who was it for?

Logan (2017)

Director: James Mangold; Screenplay: Scott Frank, James Mangold  & Michael Green.

James Mangold’s adaptation of Logan (2017) from the Marvel comic was heavily anticipated even before the trailer was released, knowing it was the end of a well loved character. For those who had seen the previous X-Men films there was a clear level of expectation from this, and for those who had read the comics, knew the story could have gone in a multitude of directions. It is this question of how will it happen that brings about talk and expands the fandom to those who like action.

From the onset of of the use of ‘Hurt’  as the soundtrack in the trailer and the reveal of new character Laura, someone who was ‘very much’ like Logan, the expectations of what this film would be grew. The scene where Logan takes Laura’s hand is somehow desired throughout the movie, as a symbol of their love and relationship of parent and child.  It’s also a sign that Logan has faced his fear.

But this is by far the only audience that Mangold had in mind, especially when a black and white version was released. This was not just for the fan’s of the genre but of cinematography.

Redefining that Sinking Feeling

Image result for get out

 

Get Out.   Dir. Jordan Peel (2017)

Multiple award-winning film, Get Out is marketed as a horror. Immediately I felt like I knew this film. It had the ring of a 70’s B movie, you knew what was coming, the tone was set.

A black man walking a quiet suburban street in the dark of night, distracted on his phone, looking lost. A classic white sports car kerb creeps alongside him, forcing the man to change directions, the car radio is blasting out ‘run rabbit run’. A signal the game is on.

From there it changed and got confusing, it was light-hearted, romantic, a banter existed with his buddy. This section of the film felt like you should be hearing canned laughter and a sign reading ‘filmed in front of a live audience’. Then you twig, this is a satirical take on the expected horror genre, from then on everything that happens falls firmly into this routine of satire.

From the start I had high expectations of this film, that was collecting awards like Rose Armitage had been collecting black boyfriends. Until you realise the true tone throughout, then you will be the one having that sinking feeling of wasting your time. When the light-bulb moment arrives sit back, ‘Get Out’ of your expectations and enjoy!