Who? What? Why? When?

Active Questions-  Creswick (2016) Director and Writer Natalie Erika James; Writer – Christian White – Available online at <https://vimeo.com/157958148> Accessed on 1 st May 2018

Creswick is the story of a young woman helping pack up her father’s home, while both have the strange feeling they are not alone. The active questions come soon;

Whose was the art book? Possibly her dad’s

Why is the woman so jumpy? Something has happened/is happening that is making her anxious -moving of items, etc

Who do they think is living in their house? They don’t know.

What happened in the woods? Again, we don’t know.

What will she discover? This questions possibly ties in with the last one.

And finally, what is the black body over her dad’s shoulder? Is this something only she can see, her father certainly can’t ‘feel’ its weight. The body looks charcoaled.  Is it representing something in either of their past or the weight of dementia, or is it plain and simply an unknown being. Lots of questions left unanswered which make for great conversations.

Words can Kill – The use of Dialogue

For this review, time was of an essence, so I watched a short ( and for those who are not aware sign up to http://www.shortoftheweek.com for some amazing short films.

https://www.shortoftheweek.com/2018/04/18/writers-workshop/

Writer’s Workshop (2018) is an 11 minute dark comedy written and directed by Ryan Frances Johnson about Jeremy an aspiring writer attending a writers class.  Having attending many of these, I can relate. Though I have been writing into the decades now, it was only recently at a writer’s workshop was my first piece made ‘public’. Awaiting the response is nail biting it’s your baby, a part of you, that you are putting put there. And it doesn’t matter who comments if they are negative it hurts, and yes despite all the advice you will take it personally and believe you have failed at life! Fact!

At the end of the day write how you want to if it’s for your benefit, writing can be therapeutic, and if you are aiming for loft ‘Rowling’ heights, be aware of what you are writing, take a class of two learn structure, character development, story arc, etc learn to give and take criticism.

FAIL. FAIL AGAIN. FAIL MORE.

Don’t get comfy be knocked back, but use it to learn from and develop, re-read your work whether it’s an aspiring novel or script and ask if the feedback was deserved.

Be critical of your own work,  make a template tick box for what your writing project should contain and tick it off when each part has been achieved.

The best advice given to me, was read it aloud, just to yourself, and if you can record it. Listen. Does it flow?

Have faith, you will get there.

So getting on to my 200 word max review of dialogue (the morning coffee has kicked in); * Spoiler Alert*

Writer’s workshop (2018) is heavily dialogued. Jeremy himself doesn’t have too much to say after reading his words, but just to sit back, grin and bear it.

The realism throughout the dialogue is obviously helped with the actor’s playing it straight.   The opening after Jeremy’s reading is an actual question that will need actual responses from, that are more than one liners. The extended dialogue has been set up with this.

Add drama and dark humour with in each line, and the characters personality is already being developed, Although we get told not to repeat information, it is repeated here and often. It builds a dramatic momentum until Clark is smothered at his own request.

Clarity and context is evident, we know that each critic means it metaphorically (or do they?), and as writer’s we relate, each character has expressed, as requested their viewpoint, the initial question has been answered.

Jeremey nodding and smiling understands when they welcome Clark and his poetry, that it wasn’t personal and that they will all repeat their constructive criticism again.

Sometimes dialogue is just that words, but here they have been used perfectly in keeping with what I remember from writer’s workshops.

 

 

Keep writing! M.