New Year New Challenge!

We all make resolutions , promises to ourselves to make changes for the better, whether its eat healthier, exercise more or change job. How about “start that novel I’ve been meaning to”. Sound familiar?

WHY WAIT UNTIL JANUARY?

Why not make that commitment now?

Yes, it’s a busy time of year, but if that is your excuse, then your story will NEVER get written. Life will always take priority.

By working with a mentor and coach on a one to one basis and in small groups you can set those goals and have someone hold you accountable. With the new NOVEL IN A YEAR one year course, you will be taken from the conception of an idea to a finished draft, as well as learn the tools needed to be an author

As a mentor and coach (yes there is a difference; a coach is a professional who can guide your through the process and a mentor is there to support your personal development), my job is to guide you through the process step by step. Starting with your idea.

Let’s see how much thought you have put into it. Do you know the ending? Like with any journey it’s always good to know where you want to end up. Having an assessment of your abilities will help to set your goals and see what I can do to help you personally.

It’s not just your characters who need to develop!

What’s the difference between going to university and learning with a writing coach?

Well to be honest, quite a lot of money and a certificate! I’m not talking anyone out of going to university to study creative writing, its a great degree that can be useful in numerous careers. But you need to look at why you want to go. Do you need the qualification or do you just want to learn HOW to write that first novel?

Check out your coach first and have a chat with them to make sure they are the right person for you. You will be spending some serious time with your mentor!

Want to know more about me, just ask.

I have a Masters in Writing for Script and Screen, and have been teaching English for nearly twenty years and creative writing for adults for two years. I’m currently completing my PhD in Screenwriting, working in adaptations and transmedia storytelling.

Express what you want to achieve clearly.

Your coach will ask you questions to understand clearly what you want to achieve and the best way to motivate you. They will work with you and set smaller goals, making your overall goal less daunting. The idea is to help you NOT scare you off!

Don’t be afraid to ASK QUESTIONS!

Ask away! Don’t be embarrassed, you can guarantee it has been asked before!

Most importantly, enjoy yourself, for now this might be a hobby, there are no guarantees you will become the next James Patterson or J.K. Rowling, just make sure you have fun on the way, meet new friends and develop new skills.

Click HERE to join the NOVEL IN YEAR COURSE.

“One Batch Two Batch…”

Daredevil Season 2 Episode 4 Penny and Dime  –

Dir: Peter Hoar; Written By: John C. Kelly

We watch film and TV to escape, to forget and also to grow.  Through these characters we according to Cohen (2013:183), expand are own ’emotional and mental lives’ beyond that of personal experience.  We identify with both the characters and their situation, we empathise with them and understand their goals, we make a connection, become invested in their outcome and are interest is caught.

Netflix’s, Marvel’s Daredevil second antagonist, Frank Castle, is a war veteran, a US marine corps sniper, he has taken out entire gangs. We know he is dangerous.

Karen, a reporter is at Castle’s home. A regular family home with photos of his wife and kids in various stages of growing up, of castle in fatigues, a medal of Honour proudly displayed,  a book is in his daughters room, the words emblazoned on the pages, the words Castle says before he pulls the trigger “One Batch Two Batch”, his daughters favourite book.  We recognise the kids trainers on the stairs, the box of kid’s toys, we too have family photo’s on the mantlepiece.

Rescued by Daredevil, Castle tells of the murder of his family by a gang in a park. We empathise with him, this could have been any family, this has never happened to you, but your gut wrenches too, we cry.  We understand his needs and goals, we want revenge too.

The story feels real, you have felt raw emotion, mirrored the feelings on screen. He maybe on a rampage, but he has damn good reason. He maybe seen as the antagonist to the vigilante Daredevil but he isn’t evil, he isn’t your typical bad guy. And because of this you have a strong connection for him to get his revenge, to see his goal through to the end, you want it to be alright for him. You have connected, you are invested as much as Castle. You have identified with the character and his situation.

As Cohen (2013:186) points out this is an active psychological state, just one of the many ways we respond to film and TV.

 

 Cohen J. (2013). Chapter 11. Audience Identification with media characters in  Jennings, Bryant and Vorderer, Peter.(eds)  Psychology of Entertainment. London. Routledge